If you wanted to know more about the new V-RAPTOR XL then RED has released an hour-long tech talk that you can watch.
Jarred Land, Cleigh Reed, Jonathan Petts, and James Lucarelli discuss and explain the features of RED’s new flagship camera and how the all-in-one system is suited for studio configurations and high-end productions.
0:00 Starting Soon Loop 04:14 V-RAPTOR XL Reel 05:44 Intro 06:28 Zack Snyder On-Set 07:23 Tease from Jarred 08:55 V-RAPTOR XL Camera Overview & I/O 13:44 Built-in Electronic NDs 17:58 RED Accessories 23:16 Final thoughts with the RED Team 29:55 Live Q&A 59:14 Ending Soon – V-RAPTOR XL Reel
The V-RAPTOR XL features an all-new unified XL body that was designed to support high-end television, motion picture productions, and professional projects requiring an all-in-one solution.
The V-RAPTOR XL features the same multi-format 8K sensor found inside the compact and modular V-RAPTOR body, allowing filmmakers to shoot 8K large format or 6K S35. According to RED, the sensor boasts the highest recorded dynamic range and cleanest shadow performance of any RED camera. The V-RAPTOR sensor scan time is 2x faster than any previous RED camera and lets users capture up to 600 fps at 2K (2.4:1 2048 x 864).
The V-RAPTOR XL uses the REDCODE RAW codec, which allows cinematographers to capture 16-bit RAW, and leverage RED’s latest IPP2 workflow and color management. As with the RED KOMODO 6K and standard V-RAPTOR system, V-RAPTOR XL will continue to use the updated and streamlined REDCODE RAW settings (HQ, MQ, and LQ) to enhance the user experience with simplified format choices optimized for various shooting scenarios and needs.
The new XL system features an internal electronic ND system of 2 to 7 stops with precision control of 1/3 or 1/4 stop increments. It has dual-power options with both 14V and 26V battery compatibility, an interchangeable lens mount, wireless timecode, genlock, and camera control for remote and virtual production readiness. The XL incorporates an integrated professional I/O array with front-facing 3G-SDI, 2-Pin 12V and 3-Pin 24V auxiliary power outputs, and a GIG-E connector for camera control and PTP synchronization. The unified XL system packs all of the above into a 7.5”x 6.5” body, weighing just under 8 pounds.
Additional features include intelligent focus options such as a phase-detect autofocus system. The XL’s all-new three-stage cooling system with thermoelectric heat exchanger will more effectively maintain sensor temperature in extreme environments. The new system also has continued wireless remote control via the free RED Control or the RED Control Pro apps.
Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. He is the Editor of Newsshooter.com and has been writing on the site since 2010. Matthew has won 43 ACS Awards, including four prestigious Golden Tripods. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. Matthew is available to hire as a DP in Japan or for work anywhere else in the world.
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